Fjords Reviews

HOME | ART REVIEWS | Killing the ISIS Propaganda Machine
Killing the ISIS Propaganda Machine
City of Ghosts

by Jennifer Parker

July 07, 2017
Share Button

 

City of Ghosts How did I not know about Raqqa is Being Slaughtered Silently? RBSS is a group of citizen activist journalists who came together to document the atrocities that ISIS was committing in their hometown—dubbed the capital of the Islamic State. Directed, filmed and produced by Emmy-winning filmmaker, Matthew Heineman (Cartel Land), City of Ghosts follows a handful of anonymous activists who banded together after their homeland, Raqqa, was taken over by ISIS in 2014.

There are as many ways to begin and end a documentary as there are filmmakers and Heineman deftly leads us by the hand into City of Ghosts by beginning with what is reassuring and circling back to it. The film begins and ends at the 2015 Committee to Protect Journalists Awards in New York City with an impassioned introduction from the New Yorker editor, David Remnick. To process the events in the film, we know that the journalists survive. I think this keeps our anxiety under control as an audience so we are left with enough bandwidth to witness mass shootings and crucifixions. We need a spoiler that these guys are going to be okay.

Heineman nimbly dances between the point of view of four journalists, most of whom speak Arabic though a few speak English and a more omniscient point of view of his camera as a filmmaker. As a documentary filmmaker, he has a gift of staying out of the way and allowing the men to tell their own story. It is by no means a romantic one. Most of the narrative takes place in undisclosed locations in Turkey and Germany because Raqqa is too dangerous for the correspondents. ISIS wants them dead. The citizen journalists appreciate the power of media and show how ISIS exploits the Marshall McLuhan adage, “The medium is the message” by making propagandistic videos with Hollywood production values to recruit members.

Director Matthew Heineman- CITY OF GHOSTS. Photo courtesy of Amazon Studios/ IFC Films
Director Matthew Heineman - CITY OF GHOSTS. Photo courtesy of Amazon Studios/ IFC Films

For ninety minutes, we get to know four of the founding members of RBSS—a math teacher, a law student, a biology student and a shy young man who while in high school bravely embedded himself as a field reporter in the Free Syrian Army as they fought to liberate Raqqa from Assad’s forces. We share in their unquantifiable successes, mourn their horrific losses and wonder how in the world did this happen in the first place? Raqqa is a power vacuum. The infrastructure has collapsed. The city is cutoff from the rest of the world by having their satellites destroyed. Schools have ceased to exist. Children are transmogrified into ISIS recruits and turned against their families.

Director Matthew Heineman- CITY OF GHOSTS. Photo courtesy of Amazon Studios/ IFC Films
A scene from Matthew Heineman’s CITY OF GHOSTS. Photo courtesy of Amazon Studios/ IFC Films

When one of the founding members of RBSS comments, “Either we will win or they will kill all of us,” it is neither with defeat nor bravado—a cautionary tale indeed.


 

Rated R
1 h 33 m / Documentary / USA / 2017
New York City: July 7 // Los Angeles: July 14

Archives

Santoalla-- the Spaces Between

Reading Arthur Miller in Tehran, The Salesman

Bewitched, Bothered and Beguiled, The Beguiled– A Film Review

A Spoonful of Sugar-- Not Saccharine The Big Sick: A Film Review

Fiona and the Tramp, Lost in Paris- a review

Movie Review: Beatriz at Dinner

Not Made in America - Three films that get it right: The Wedding Plan, One Week and a Day, and The Commune

Teddy Thompson’s Ultimate Funeral Mix Tape

Cattelan the Perspectivist

Jason McLean

Moray Hillary, Pre-New Reflective by Heather Zises

Cameraperson, dir. Kristen Johnson: stories from behind the camera lens

SELFISH, Review by Heather Zises

Winter Realm Series by Noah Becker

Winter on Fire: Ukraine’s Fight For Freedom, dir. Evgeniy Afineevsky

Paul Rousso at Lanoue Fine Art

Strange Days directed by Kathryn Bigelow (1995)

Airan Kang, The Luminous Poem at Bryce Wolkowitz Gallery

Damien Hoar De Galvan at Carroll and Sons

Antigone, 2015, directed by Ivo van Hove

3 Women, Directed by Robert Altman, 1977

World of Tomorrow and the Quit-Bang Language of the Future

Karen Jerzyk's unsettling Parallel World

Quintet, Directed by Robert Altman, 1979

Classic Movie Short Review: Croupier (1998)

CEK - Concrete Functional Sculptures

Popeye, Directed by Robert Altman, 1980

Alexis Dahan, ALARM! At Two Rams

Do Ho Suh, Drawings, at Lehmann Maupin

Kingdom of Dreams and Madness

Nir Hod, Once Everything Was Much Better Even the Future

Reuven Israel, Multipolarity

Review of Boyhood

Exhibition Review: Mario Schifano 1960 – 67

Subverting the Realist Impulse in the Work of Shauna Born

Linder: Femme/Objet by Erik Martiny

What We Do in the Shadows by Jemaine Clement and Taika Waititi

Kara Walker, A Subtlety

Justin Kimball at Carroll and Sons

Kay Rosen: Blingo

Told & Foretold: The Cup in the Art of Samuel Bak, at Pucker Gallery

Collective Memory Manipulated: Sara Cwynar’s Flat Death

Letinsky’s Creases Turn Sour

Universal Archive

Art Paris Art Fair 2013 Review

Paris Street Art Musée de la Poste

Trellises by Katherine Tzu-Lan Mann

Accumulation: Sculptural work by Alben at Gallery Nines

The Colour of Laughter

Topography of Destruction Kemper Museum

L'art en Guerre : France 1938-1947

The Louvre Relocates to Africa

Hopper the Frenchie

A French Priest, Tears and Fire the Art of Jean-Michel Othoniel

North Korean Defector's U.S. Art Premiere