Brooklyn based Canadian artist, Jason McLean, creates autobiographical imagery, through scavenged objects, and memory mapping. Jason McLean’s diverse art practice includes sculpture, sound works, zines, book works, mixed-media installations, correspondence art, curatorial explorations, puppets, and performance, but he is probably best known for his diaristic mapping and surreal drawings. Inspirations fueling his daily observations are relationships with local and visited environments. His works are often described as mental maps, where samplings of his daily observations are mashed-up into antiheroic, yet poignant combinations. Grounded in family life as Husband and Father, McLean works by using humour to touch upon challenging subject matter, such as sadness, loss, displacement, and economic hardship.
Jason McLean was born in London, Ontario, Canada in 1971. After attending H.B. Beal Secondary School, McLean graduated from the Emily Carr Institute of Art and Design, Vancouver in 1997. He has exhibited nationally and internationally including shows at The National Gallery of Canada, The Vancouver Art Gallery, Fondazione Bevilacqua La Masa in Venice, Art Gallery of Nova Scotia, Loyal Gallery in Malmo Sweden, Richard Heller Gallery in Santa Monica, Franklin Parrish Gallery and Zieher Smith Gallery in New York City. He has work in major collections throughout North America including the Museum of Modern Art, Vancouver Art Gallery, Bank of Montreal Collection and the Royal Bank of Canada. McLean is represented by Michael Gibson Gallery in London, Canada and Wilding Cran Gallery in Los Angeles, CA.
A Perfect Storm
Letterman’s Done
Escape from Cough Manor
Knock Knock who’s Care
Transcending Passages, Maisoon Al Saleh, March 16th - April 6th, 2021
Unbound Perspectives - SEPTEMBER 26-OCTOBER 17, 2020
East Villager Billy The Artist Climbs Atop Ai Wei Wei's Fence To Shine A Light On It
A Quick Note on Transplants: Greek Diaspora Artists
Teddy Thompson’s Ultimate Funeral Mix Tape
Accumulation: Sculptural work by Alben at Gallery Nines
Moray Hillary, Pre-New Reflective by Heather Zises
SELFISH, Review by Heather Zises
Winter Realm Series by Noah Becker
Paul Rousso at Lanoue Fine Art
Airan Kang, The Luminous Poem at Bryce Wolkowitz Gallery
Damien Hoar De Galvan at Carroll and Sons
Antigone, 2015, directed by Ivo van Hove
Karen Jerzyk's unsettling Parallel World
CEK - Concrete Functional Sculptures
Alexis Dahan, ALARM! At Two Rams
Do Ho Suh, Drawings, at Lehmann Maupin
Nir Hod, Once Everything Was Much Better Even the Future
Exhibition Review: Mario Schifano 1960 – 67
Subverting the Realist Impulse in the Work of Shauna Born
Linder: Femme/Objet by Erik Martiny
What We Do in the Shadows by Jemaine Clement and Taika Waititi
Justin Kimball at Carroll and Sons
Told & Foretold: The Cup in the Art of Samuel Bak, at Pucker Gallery
Collective Memory Manipulated: Sara Cwynar’s Flat Death
Art Paris Art Fair 2013 Review
Paris Street Art Musée de la Poste
Trellises by Katherine Tzu-Lan Mann
Topography of Destruction Kemper Museum
L'art en Guerre : France 1938-1947
The Louvre Relocates to Africa
A French Priest, Tears and Fire the Art of Jean-Michel Othoniel