Review of Life Cycle Poems by Dena Rash Guzman
Poetry
Dog On A Chain Press
Pages 110
ISBN 9780985529130
Reviewed by Karen Bowles
About Karen Bowles
Karen Bowles is the founder, publisher, and editor of the arts and cultural publication Luciole Press (www.luciolepress.com). She graduated from San Francisco State University with a B.A. in Literature and loves photography, theatre, sci-fi movies, and arguing with bossy blue jays. Find her at www.facebook.com/BowlesKaren.
Dena Rash Guzman offers up a most unusual palette in her new collection, Life Cycle Poems—none of the pages are numbered and all of the poems bear the title of "Life Cycle." It paints a most charming and cohesive path to follow down, with innumerable insights revealed as readers chart their journey through a landscape blessed with determination:
our lives veer from need to elegy
we are born worth not a thing
but our own sweet hell-bent will
with which we force out first cries
or absolute goodbyes
Guzman starts the book off with a quote from Margaret Atwood's The Handmaid's Tale: “Nolite te bastardes carborundorum,” which roughly translates to –“Don't let the bastards grind you down.” Life Cycle Poems is Guzman's fulfillment of that promise, for she verily steps forth through any and all travails that her life cycle throws her way “country after century / banality or greatness.” She deftly deals with living as a fully-fledged creature of sensitivity mixed with steel, a woman who can change diapers or minds all the while flashing ”battleships for eyes.”
Bearing a voice that is unusual and remarkable in many ways, Guzman shows both an unapologetic edge for being who she truly is, mixed with a soft heart that shields and protects those who seek shelter under her umbrella. She knows all too well that many will be dashed apart on unyielding seas:
There is no word for that,
for women and children alone at sea,
the tyrannical hag with one leg taking an aside
because of a book she read.
That whale must be here somewhere. Harkening,
she raises her oar, and drowns hysterical.
Life Cycle Poems, published by Dog On A Chain Press, is filled with tempestuous seas and fathomless revelations, deep from the author's heart. No reader will drown hysterically amidst these cycles, as Guzman’s narration pulls them forward through the maelstroms and into the warm kitchen, the tender embrace, the idea that hope is not discount merchandise left on the floor after a holiday sale. There is sass, edge, and knowingness melting around the perimeter of each poem, as readers get the sense of Guzman as ”a space pilgrim cherry / flailing shooting star,” hand on hip and comeback on lips. Perhaps there is a little Mae West in Dena Rash Guzman, a modern woman who won't bend for silly norms. ”I'm no patient cow. I'm a shrunken secret.”
Readers who immerse themselves in Life Cycle will infiltrate a world within our larger one; melded to it, shining as a dual star in glorious strobes with a pace that sets it spinning faster than our twenty-four-hour cycle. Take this passport and enter into its passionate rotation, and do not shrink from any of its secrets revealed, nor find yourself ground down by those professing not to understand, as you see:
it's not the darkness at all
it's the electricity
the static colors
coming neon out of your mouth
love is not frivolous... it burns
and I could never
reach it without you.
Alexis Rhone Fancher’s Erotic: New and Selected Poems
Chasing Homer by László Krasznahorkai
Eight Perfect Murders by Peter Swanson
The Death of Sitting Bear by N. Scott Momaday
WHILE YOU WERE GONE BY SYBIL BAKER
MY STUNT DOUBLE BY TRAVIS DENTON
Made by Mary by Laura Catherine Brown
THE RAVENMASTER: My Life with the Ravens at the Tower of London
Children of the New World By Alexander Weinstein
Canons by Consensus by Joseph Csicsila
And Then by Donald Breckenridge
Magic City Gospel by Ashley M. Jones
One with the Tiger by Steven Church
The King of White Collar Boxing by David Lawrence
They Were Coming for Him by Berta Vias-Mahou
Verse for the Averse: a Review of Ben Lerner’s The Hatred of Poetry
Ghost/ Landscape by Kristina Marie Darling and John Gallaher
Enchantment Lake by Margi Preus
Diaboliques by Jules Barbey d’Aurevilly
Core of the Sun by Johanna Sinisalo
Maze of Blood by Marly Youmans
Tender the Maker by Christina Hutchkins
Conjuror by Holly Sullivan McClure
Someone's Trying To Find You by Marc Augé
The Four Corners of Palermo by Giuseppe Di Piazza
Now You Have Many Legs to Stand On by Ashley-Elizabeth Best
The Darling by Lorraine M. López
How To Be Drawn by Terrance Hayes
Watershed Days: Adventures (A Little Thorny and Familiar) in the Home Range by Thorpe Moeckel
Demigods on Speedway by Aurelie Sheehan
Wandering Time by Luis Alberto Urrea
Teaching a Man to Unstick His Tail by Ralph Hamilton
Domenica Martinello: The Abject in the Interzones
Control Bird Alt Delete by Alexandria Peary
Twelve Clocks by Julie Sophia Paegle
Love You To a Pulp by C.S. DeWildt
Even Though I Don’t Miss You by Chelsea Martin
Revising The Storm by Geffrey Davis
Nature's Confession by J.L. Morin
Midnight in Siberia by David Greene
Strings Attached by Diane Decillis
Down from the Mountaintop: From Belief to Belonging by Joshua Dolezal
The New Testament by Jericho Brown
You Don't Know Me by James Nolan
Phoning Home: Essays by Jacob M. Appel
Words We Might One Day Say by Holly Karapetkova
The Americans by David Roderick
Put Your Hands In by Chris Hosea
I Think I Am in Friends-Love With You by Yumi Sakugawa
Box of Blue Horses by Lisa Graley
Review of Hilary Plum’s They Dragged Them Through the Streets
The Sleep of Reason by Morri Creech
American Neolithic by Terence Hawkins
The Hush before the Animals Attack by Carol Matos
Regina Derieva, In Memoriam by Frederick Smock
Review of The House Began to Pitch by Kelly Whiddon
Hill William by Scott McClanahan
The Bounteous World by Frederick Smock
Going Down by Chris Campanioni
Review of Empire in the Shade of a Grass Blade by Rob Cook
Review of The Figure of a Man Being Swallowed by a Fish
Review of The Tide King by Jen Michalski
Review of Saint X by Kirk Nesset